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A collection of powerful monophonic and polyphonic synthesisers in 'Blocks' format. The synths feature versatile internal modulations and are designed to be integrated with the other packs for expanded modulation and effects routing.
The bundle includes a sophisticated PIANO ROLL block with extensive editing and modulation functions and a suite of polyphonic utility and modulation blocks to augment and expand the polyphonic functionalities of the synths.
Note: there is no overlap between the Synth Bundle and the Blocks Bundle, all included blocks are exclusive to this bundle. The ultimate sound design tool with unparalleled flexibility and audio quality. All the blocks you need to create a custom modular wavetable synthesiser suitable for huge basses or powerful EDM leads. With features not found on any other wavetable based synthesiser combined with flexible multi-breakpoint envelopes, state-of-the-art filters and effects, patched together in limitless configurations, the pack provides everything you need to put the freshest sounds at your fingertips.
Can be used without limitations with the free Reaktor Player. A collection of 44 essential modules, including 5 powerful sequencers and a suite of versatile oscillators, filters, effects and utilities. A collection of free 'User Blocks' for use with Reaktor 6.
New blocks will be added regularly. Watch this space for more The pack includes a suite of versatile sequencer blocks that can be combined for creative sequencing and routing of sounds. Each block includes a bank of 8 editable snapshots that can be sequenced using modulation or MIDI.
These blocks are so creative! They allow me to go way beyond what I can do with conventional tools Close search. Add to cart. Features include: Tangle Oscillator , a powerful oscillator block that fuses extreme phase distortion twisting, warping, repeating and mixing basic waveforms for knotted and twisted sounds with FM synthesis, great for thick, harmonically rich timbres. The block also features 7 lo-fi modes which authentically model vintage convertors with gritty digital noise and jitter, great for dirty old-school digital synth sounds.
A flexible analog modelled filter with 8 different models Moog, Korg, Roland etc. A variety of filter slopes plus notch and comb filters are available. All filter types can be flexibly re-ordered and morphed. The position signal simply represents the playback position of the sequence within the bar the Nano Pack 'Ramps' block can be used to generate a suitable position signal, although really any audio signal can be used, for example the output of an oscillator or an LFO.
The A B input ports on each block are the modulation inputs for the block. For example, if you want to modulate the cutoff frequency of a filter block with an oscillator, you attach the output of the oscillator to modulation input "A" on the filter then the little round LED next to the "A" on the filter will start to blink, showing that there's a signal arriving at the 'A' modulation bus , click on the 'A' button next to the LED and it will display a set of sliders next to all the controls, these sliders set the depth of modulation, for modulation bus 'A', for each control.
This does mean that as you only have 2 busses for modulation for each block, i. This gives the X Pos and Y Pos controls their own dedicated modulation bus inputs. If nothing is connected to these ports then the normal A B modulation buses are used for these knobs. These extra modulation ports just adds some extra flexibility for controlling the wavetable position if needed. Some blocks have dedicated modulation inputs too for specific controls or functions, for example the Sample Player block has a 'Select' input port that selects the sample to playback from all the loaded samples you can drop as many samples on to the block as you want and then choose which one to play.
This port overrides the 'Select' knob if a cable is connected to it. You could alternatively use the A or B modulation inputs to modulate the 'Select' knob, which would do the same thing, but the dedicated 'Select' port is a shortcut and leaves the A B modulation buses free for modulating other controls e.
The high quality filters and oscillators used in the packs come at the cost of a high CPU load. To keep the CPU load to a minimum it is recommended to use the 'Mini Filter' and 'Mini Oscillator' found in the 'Free Pack' when a complex oscillator or filter is not needed.
The 'Mini Filter' and 'Mini Oscillator' are designed to be much 'lighter' on the CPU while still having great sound quality for most settings. Also due to CPU 'bottle-necks', related to how quickly program data can be fetched from main memory or 'on-chip' memory 'caches', larger racks will run less efficiently on your CPU than more compact racks. As the rack becomes larger the CPU will run less efficiently and the CPU load will start to increase exponentially as the Rack grows beyond a certain point.
The solution is to keep racks smaller if possible or to use multiple instances of Reaktor running smaller racks rather than a single instance running one giant rack. Despite following these suggestion you will still find sometimes that Racks take up a considerable amount power from your CPU, so bouncing or 'Freezing' tracks in your DAW may be needed. This is normal behaviour: The 'effects knobs' transform the position of the notes 'non-destructively' in real-time.
Moving and editing notes using the mouse with these transformations applied can have unexpected results, with notes moving in random ways and appearing to jump around. If you move the Pack folders to a new location you will need to run Native Access and click on 'Repair' next to the pack to locate the folders in their new location before you can use them again in Reaktor.
The latest version of the template can be downloaded here.
